In another blemish on the Warner Bros. Discovery era of CNN, one of the network’s top anchors is walking away. Chris Wallace is leaving the network. The Daily Beast reports that CNN wanted to keep the TV news legend, but he did not want to stay on. Wallace’s contract ends later this year.
Wallace, who previously worked for Fox News, NBC News, and ABC News, is apparently leaving conventional TV news altogether. Instead, he’s looking for a new opportunity in streaming or podcasting.
Wallace, who is the son of TV news icon Mike Wallace, will continue to be part of the network through the end of 2024. CNN has confirmed his departure in a statement.
“Chris Wallace is one of the most respected political journalists in the news business with a unique track record across radio, print, broadcast television, cable television, and streaming,” Mark Thompson, CNN CEO and Chairman, said. “We want to thank him for the dedication and wisdom he’s brought to all his work at CNN and to wish him the very best for the future.”
Numerous CNN Talents and Executives Have Left in 2024
Earlier this month, when Jon Stewart announced that he would continue to helm (on Mondays) The Daily Show into 2025, I began to get a pit in my stomach. I was thrilled, of course, but I couldn’t help but feel that perhaps the wizened man of satire had a certain feeling about the road ahead, that his decision to remain was less about the good vibes and ratings he brought to the program, and more so about feeling the need to stand firmly in the breach.
But one thing is certain, Grover Cleveland’s place in the pantheon of presidential trivia has been forever altered, as Donald Trump joins him as the second man elected to two non-consecutive terms. “He was the leader of something called the Bourbon Democrats,” Stephen Colbert said of Cleveland in his first post-election monologue, on November 6. “And I’m guessing this morning, there were a lot of Bourbon Democrats,” he added, bringing a class of his own to his lips.
While most late-night hosts took election night off, waiting until the following day to give their take on Trump’s return to power, there was Colbert’s pal, Stewart, on Comedy Central, broadcasting live with the program’s cast of correspondents, making light of the dark cloud they saw approaching from the moment they went on air. “Now I know a lot of people out there are feeling anxious, and I want to assure you that that is very good for our ratings,” Stewart said on Tuesday evening. “So keep up the good work out there. Do not remove your eyes from the TV at all costs.”
It was true. For the next four years, despite all the very real threats to institutions and individuals that may, and most likely will come to pass, it will all be very good for the media companies who treat Trump like a circus. It is equally important not to treat Stewart, who has been with us for all of this millennium, as some kind of infallible savior who exists above this fray, but let’s be real: he is far better at his job than anything on network television, which, in the words of disgraced CBS executive Les Moonves, looks at Trump and sees ratings.
As he has for decades, Stewart, in the wake of the right’s triumph on Tuesday, took the long view, bringing in historical context and making clear just how full of shit most of the post-election takes will be. He played a montage of punditry, which began with George Stephanopoulos predicting in 2008 that we were about to enter a post-racial society. “Yeah, that lasted a day,” Stewart said.
He ended the evening with this: “But this isn’t the end. I promise you. This is not the end. And we have to regroup and we have to continue to fight and continue to work day in and day out to create the better society for our children, for this world, for this country, that we know is possible. And it’s possible.”
Colbert and Jimmy Kimmel took far different approaches than Stewart. Both returned to their studios on Wednesday, Nov. 6, with a somber tone, emphasizing that it was a privilege to be able to get up and broadcast for their audience. Like many talk show hosts and pundits, Colbert and Kimmel seemed a bit lost, unsure how to console an audience with hope after spending months warning about the dangers of a second Trump term. “And it was a terrible night for everyone who voted against him, and guess what,” Kimmel said. “It was a bad night for everyone who voted for him too. You just don’t realize it yet.”
Both hosts presented their usual mix of milquetoast jokes, ones that just regurgitate some silly headlines, told in an eye-roll kind of way. For example, the two hosts made nearly identical jokes about search results in the wake of the election. There was apparently a spike in users asking when and why Joe Biden dropped out of the race—both hosts said it was Biden himself searching this in the White House.
To watch Colbert and Kimmel in the immediate wake of the election was to see a style of comedy that has proven itself to be woefully ill-equipped to deal with what is ahead. Stewart’s style of opposition comedy is rooted in a smart, research-based critique that, in turn, takes on the entire media ecosystem. Colbert and Kimmel are very much a part of that system, which allows opposition comedy in a style that feels more like a lecture on right and wrong than a systemic critique. As Donald Trump enters the presidency with a larger, more energized coalition, the approach feels eerily, unhelpfully siloed.
On After Midnight, Taylor Tomlinson began her Nov. 6 monologue with an apology. “I’m sorry if it’s your birthday today,” she said. “That sucks.” Like many who had planned to broadcast immediately following the election, Tomlinson seemed shocked not just that Trump won, but that the election had been called so quickly. “I know people have said this before,” she said, “but reboot culture has gone too far.”
It was incredibly refreshing to watch Tomlinson and her guests, Zach Noe Towers, Laura Peek, and Guy Branum, react directly and indirectly to the Trump news with a healthy blend of concern, gallows humor, and general WTF vibes. After a loud knock was heard on set, Tomlinson speculated it may have been the ghost of Dr. Phil, who she said used to film in her studio. “Isn’t that fucked up,” she said. “And now it’s us, so we’re not moving backward everywhere.”
Finally, we have the gentleman by the name of John Oliver, who, as he does most weeks, captured the myriad feelings of a concerned, bemused, and amused-in-a-dark-way nation. Oliver diagnosed the failures of the election and got quite real about the road ahead. He noted that many people right now are deciding to play the blame game, pointing the finger at whoever makes them feel slightly better about what happened. For his part, Oliver decided to blame Katy Perry, who sang a quite horrible Whitney Houston cover at an event for Kamala Harris. “It feels good to think so,” he said, “because it’s an easy answer to a difficult question, which is a lot more appealing right now than actually finding the difficult answers.”
Finding and understanding those difficult answers is what makes Last Week Tonight the best program in late night. (Sadly, after last week’s one-week aberration, Warner Bros. Discovery has returned to not uploading Oliver’s main segments to YouTube, so we can’t embed it here.) Like Stewart, Oliver was quick to point out the punditry’s quick reactions to the election, including those who so easily pinned the blame on certain groups of voters, often people of color. The economy was overwhelmingly the number one issue for voters, who, despite efforts by Democrats to tout Biden’s record on the issue, felt that they were better off under Trump, who, Oliver said, basically ran the same campaign playbook as Bill Clinton in the 1990s. “It’s the economy, stupid,” Oliver said, “also by the way, I happen to be good friends with Jeffrey Epstein.”
Oliver discussed the bleak road ahead, including the truly horrific cast of characters that may take on positions of power in a second Trump term. Amidst the darkness, Oliver addressed a cliche that is often directed at comedians, something that usually goes like, “So, is your job so much easier with Trump as president?” To which Oliver replied: “No, it is not! No, it fucking isn’t! Fuck you so much! You don’t know what you are talking about! Fuck you quite a lot! Fuck you!”
And therein lies the rub. Bad comedy—Orange! Diet Coke! Tweets!—may be easier, but the stuff that matters, the kind that actually means grappling with the day-to-day of what is to come, and the rotting cores of our institutions and their failure to actually serve people, and that also provides a bit of levity to our day, is very hard, essential work. Here’s hoping it doesn’t become unforgivably dangerous too.